London is a strange and slightly sad place these days. The West End is virtually empty, and though pockets of it – the parks in particular – are pretty well-populated on a day when it’s not raining, there is none of the usual vibrancy, let alone the crowds that I and so many others usually complain about.
Art galleries are open, for the most part, though you have to book your visit online ahead of time, and then find an entrance that is actually open and then follow a one-way system. Cinemas likewise. At the BFI they have actually removed every other seat so even if you go with a friend you’re socially distanced from them. And there’s no point turning up early and having a nice meander around the building as most of it other than the cinemas themselves is closed. If you want to get a cup of tea you have to order and pay using a QR app. It’s all very Brave New World.
(That said, bearing in mind the difficulties, the staff in these places are exceptionally friendly and helpful.)
HOWEVER there are signs of life. The National Theatre is presenting a one-man play called The Death of England, Delroy, in a reconfigured – in the round, and again socially-distanced – Olivier Theatre, beginning October 21.
The Bridge Theatre is presenting Alan Bennett’s Talking Heads monologues and An Evening With an Immigrant (performed by Barber Shop Chronicles writer Inua Ellams). Great for one-person plays, not so good for actors in general.
Hampstead Theatre is re-presenting its cancelled-pre-Covid production of Pinter’s The Dumb Waiter from 18 November to 19 December, socially-distanced, stating ‘the air in the main house auditorium is changed completely every 4 minutes and 45 seconds’. https://www.hampsteadtheatre.com/
Southwark Playhouse is already running its pre-Covid production of The Last Five Years. https://southwarkplayhouse.co.uk/show/the-last-five-years/
Meanwhile in the West End, according to the Evening Standard, Nimax Theatres are opening up some shows any minute now, viz.
This Is Going To Hurt, with Adam Kay (Apollo Theatre) October 22-November 8
Six the Musical (Lyric Theatre) from November 14
Jimmy Carr (Palace Theatre) November 16-21
Everybody’s Talking About Jamie (Apollo Theatre) from November 1
The Play That Goes Wrong (Duchess Theatre) from November 19
I don’t know how the commercial West End can afford to run their shows with reduced capacity audiences, but good on Nimax Theatres for giving it a go. I’m sure local cafes and restaurants will be more than glad to see some life back in the West End – that’s if they’ve survived so far.
Fingers crossed more theatres will be opening up soon. Meanwhile actors are still having a very hard time and will continue to do so for the foreseeable future, so if you able to send a donation no matter how small, the theatre world will SMILE on you and wish all your dreams will come true.
London, October 2020